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Livre - Paul Hindemith - Elementary Training for Musicians

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Paul Hindemith - Elementary Training for Musicians (Livre)

Paul Hindemith

Elementary Training for Musicians



  • Matériel : BookLivre
  • Editeur :
    Schott Music


Informations Complémentaires

  • No Article :
    SCHOL01672
  • Reliure : Soft-cover binding
  • Nombre de pages : 238pp
  • Edition : Second Edition Revised 1949
  • Langue : English
  • Description :

    Originally published in the 1940s, Paul Hindemith's remakable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that nearly forty years later these books should remain essential reading for the student and the professional musician

  • Contenu :

    Preface
    Quarter-notes, half-notes, and whole-notes (and rests)
    High, medium, and low tones
    2/4 and 4/4 meters
    G-clef, and tones f', g', a', b'
    Eighth-notes and sixteenth-notes
    Tones e' and c'
    3/4 meter, dotted half-notes, ties
    Tones d' and c'; octave; ledger lines; one- and two-lined octaves
    Slurs; syllable division; up-beats; dynamic accents
    Dotted quarter- and eighth-notes (and rests)
    Small octave; major scale; + and natural; diatonic and chromatic half-tones; key signatures
    Time-signatures of simple meters having the denominators 1, 2, 8, and 16; indications for slow and moderate tempi; brevis and dotted whole-notes
    Three- and four-lined octaves; b
    Double-dotted notes (and rests); thirty-second- and sixty-fourth-notes; indications for fast tempi
    Bass clef; great octave; intervals; perfect fifth and fourth; inversions
    Metric accents; meter and rhythm; cundoctors' patterns for beating time; syncopation; compound meters
    Contra octrave and sub-contra octave; major and minor thirds and sixths; transposition
    Triplets and other divisions by factors not implied in the time-signatures
    Major and minor seconds and sevenths
    Indications for changing tempi
    Meters with signatures having the numerators 5, 7, etc. and corresponding patterns for beating time
    Alto clef; augmented and diminished intervals; prime or unson; x and bb; enharmonic transcription; circle of fifths, circle of fourths
    Indications of dynamics and expressions
    Musical Form
    Tenor clef; intervals exceeding the octave; doubly diminshed or augmented intervals; minor scale (all forms); Church Modes; relative major and minor; signatures of minor keys
    Abbreviations; rests longer than one measure; ornaments; marks of articulation; chromatic scale
    Preface to Part Two
    Dictations (incl. discussion of "absolute pitch")
    Index


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