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MultiSons - Collection B

Isabelle Ory

Original title: MultiSons - Recueil B

15 Pieces of the classical repertoire adapted for 3 and 4 flutes (ensemble music collection - 1st cycle - method vol.2)

Editions Henry Lemoine

Reference :

VV251



32.02 $
30.42 $


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Ensemble Music ... or The best way to communicate with and through your instrument The strong interest shown in ensemble music is undeniable over time because its practice allows you to learn with others, through others, in a time of shared pleasure in the service of music. Ensemble Music contributes to the development of human qualities. It builds the strength of a group whose participants become companions of art and brings into play: - motivation, sharpened by the birth of affinities that evolve into real friendships - tolerance and respect of learning speeds and understanding of each, - mutual aid, socialization and adaptation, - responsibility and the search for the trust of the partners: it is an honor to ensure its part at best, so as not to compromise the whole thing - the experience of common experiences enriching and varied to several: rehearsals and restitution to an audience through concerts, shows. Ensemble Music develops sensory and artistic qualities: - attentive listening leads to taking a step back from what we play to get along better with others - and with others. A picky listening leads to real and appreciable instrumental progress: play in place: structuring effort at the level of precision (eg common internal pulsation in a stable tempo or a rubato ...), play fairer: correction effort in which everyone must make a part of the path to the other, feel the same musical intentions of style, phrasing, timbre, quality of sound - either blend to accompany, or on the contrary, to oppose and detach. - In addition to this complete work of the ear, the eyes are not left behind. Indeed, the eye must flow between the musicians and / or the conductor - the eye also listens. The independence and coordination of the body diagram are therefore very much sought after and improved since the musical gesture requires the breath, the tongue, the mouth, the ear, the bust, the legs, the feet ... and of course, the mind and heart. The whole of this work makes it possible to acquire reflexes of adaptability to others, of communication and communion with the others, even beyond a musical objective. The reasons for the choice of this repertoire All these pieces are in close correspondence with the sequence of acquisitions found in Volume 2 (ref .: VV 076) of the Flute method. It is a complementary directory to follow in parallel with the method, as are the two volumes of Tout en Do, referring to Volume 1. Isabelle Ory




Isabelle Ory - MultiSons - Collection B - Sheet Music - di-arezzo.com
30.42 $




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