HAENDEL GEORG FRIEDRICH - Appendice: air; version antérieure hwv 430
HAENDEL GEORG FRIEDRICH - Appendice: allemande: version antérieure hwv 429
HAENDEL GEORG FRIEDRICH - Appendice: finale initial hwv 427
HAENDEL GEORG FRIEDRICH - Appendice: prélude initial hwv 566
HAENDEL GEORG FRIEDRICH - Appendice: prélude initial hwv 568
HAENDEL GEORG FRIEDRICH - Appendice: prélude initial hwv 570
HAENDEL GEORG FRIEDRICH - Appendice: prélude initial hwv 572
HAENDEL GEORG FRIEDRICH - Appendice: premières versions de mouvements isolés
HAENDEL GEORG FRIEDRICH - Suite fa dièse mineur hwv 431
HAENDEL GEORG FRIEDRICH - Suite fa majeur hwv 427
HAENDEL GEORG FRIEDRICH - Suite fa mineur hwv 433
HAENDEL GEORG FRIEDRICH - Suite la majeur hwv 426
HAENDEL GEORG FRIEDRICH - Suite mi majeur hwv 430
HAENDEL GEORG FRIEDRICH - Suite mi mineur hwv 429
HAENDEL GEORG FRIEDRICH - Suite ré mineur hwv 428
HAENDEL GEORG FRIEDRICH - Suite sol mineur hwv 432
The imposing musical personality of Georg Friedrich Haendel appears not only in great forms such as opera, oratorio or orchestral suite, but also in his keyboard compositions. At the heart of these, the "Eight suites" of his first printed collection published in 1720. These are not standardized dance suites, quite the contrary. In fact, they are mainly made up of free construction movements of great artistic value, sovereignly inserted between lighter dance movements. Haendel's suites each testify to their individuality and deserve to be heard more often in our concert halls. For this urtext edition, we were able to benefit from the precious collaboration of Haendel specialist Anthony Hicks.
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