Dedicated to the new issue of aggregation 2018 "The Times of Music", this issue illustrates the diversity of issues facing contestants. It tackles both the time of creation and that of interpretation, the temporalities of "scholarly" music and those of "popular" music, bringing together synthetic texts and analyzes of works, historical, ethnomusicological and aesthetic approaches. .
Historical landmarks
Christian Accaoui - Time, History, History of Music, Music of History
Anna Maria Busse Berger - Franco's concept of time and its reception in the fourteenth century
Théodora Psychoyou - A psychological time, a new musical paradigm in the 17th century: the case of Claudio Monteverdi's Lamento della Ninfa
Alexandre Chèvremont - The "extensive consciousness of time" in music: a critique of the classical sonata form
Time of creation
François Picard - Remarks on Chinese musical time
Mihu Iliescu - Xenakis, between the off-time and the in-time
Leo Larbi - Remarks on ways to want in Elliott Carter's Duet for violin and piano
Philippe Lalitte - Temporality and texture in Steve Reich's Eight Lines: from local perception to experiential form
Laurent Pottier - The relation to time in music using electronics, from the space of composition to the space of diffusion
Stéphane Payen, Eric Regnier - Micro-temporalities of music: measurements and pulsations
Time of interpretation
Bernard Seve - Conjugate the times. Music as a collective practice
Matthieu Saladin - Improvised Time: A Memory of the Here and Now
Céline Chabot-Canet - Rhythms and Freedoms: From Collective Rhythm to Idiorythmy in the Interpretation of Popular Music
Philippe Gonin - From the sketch to the recorded work: a look at a poietic rock
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