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The structure of the song OCTOBER 2015

Richard MILLER

Original title: La structure du chant PARUTION OCTOBRE 2015

Systematic pedagogy of the art of singing
Translated from English by Jean-Marie Gouëlou

CITE DE LA MUSIQUE

Reference :

CM127


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Cet article est en rupture de stock chez le fournisseur






A fundamental sum dedicated to the vocal art, to the pedagogy of the song and to its physical and acoustic aspects. Many exercises will help solve the technical problems that are common to the singer. In appendix, information on voice, a glossary of non-musical terms and vocal terms and a bibliography.



The summary
- The coordination of the beginning and the end of the sound: the realization of a muscular dynamic weighting by the work on the beginning and on the end of the sound
- The sustained singing voice: the management of the breath in singing
- Agility in singing: the flexible application of respiratory energy <
- The resonant voice: supra-glottic phenomena in singing
- Weighted vocalic production: vocalic differentiation in singing
- Balance the resonance by means of the nasal consonants: influence of the continuous nasals on the adjustment of the resonators
- Balancing resonances with non-nasal consonants: influence of non-nasal consonants on resonance tuning
- The support of the voice: sostenuto
- Equalization of the registers of the human voice: terminology of the registers
- Equalization of the registers of the woman's voice
- Vowel modification in singing: the aggiustamento
- Extension and stabilization of the range of the voice
- Messa di voce and shade control
- The vibrating quality of vocals: Vibrato and vocal timbre
- Coordinate the technique and the communication
- Teaching attitudes: the aesthetics of the vocal timbre
- Singing soundly



Performer, educator, researcher, author, and publisher, Richard Miller is a vocal teacher and director of the Otto B. Schoepfle Vocal Art Laboratory at the Oberlin College Conservatory.





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