| Arts and music in history, volume 6
Michel ASSELINEAU
Original title: Arts et musiques dans l'histoire, volume 6
20th and 21st centuries
Livre avec CD
LUGDIVINEReference : 9782368570005
ISBN / ISMN:9782368570005
1 vol. (236 p.) ; illustrations en noir et en couleur ; 28 x 21 cm ; 3 CD audio - Lyon - 2013
|
|
This sixth installment of the collection offers a clear and pragmatic approach to the great historical events, the different artistic movements and the main characters that marked the twentieth century and the beginnings of the 21st century.
To give substance to these intentions, the construction of the book is organized around three clearly defined periods:
* the Belle Epoque (before 1914), * the Entre-deux-guerre, * and the after 1945.
Within each of these periods, the global historical context is discussed, then the various plastic or literary movements and finally the great musical currents (learned music, jazz and popular music) that crossed it. Thus, in the movement of architectural trends or decorative arts (Art Nouveau, Art Deco, "international" style ...), the main plastic movements are contextualised:
- Post-Impressionism, - Symbolism, - Nabism, - Fauvism, - Cubism, - Expressionism, - Futurism, - Dadaism, - Surrealism, - Abstraction ...
The abundant illustrations punctuating the 240 pages bring the indispensable complement which contributes to the good understanding of the extraordinary creative abundance in an environment as much marked by the explosion of technical progress as by the levels of barbarism and cruelty never before reached by Man in the course of his history ... Complementarily to this presentation, Jean Pierre Caens throws several bridges (entitled Matches) between the fields of arts and music or literature to properly situate the various artistic productions in their social environment economic or political.
Some examples of these "matchmaking": Petrouchka * (Stravinsky) and Violin and Grapes (Picasso) 9th Symphony * (Malher) and the work of Gustave Klimt Five Pieces for Piano * (Schoenberg) and Abstraction (Kandinsky) Parade * (Erik Satie) and Dadaism (Marcel Duchamp) 4'33 "(John Cage) and minimalism" plastic "Ornithology * (Charlie Parker) and the beat generation (Jack Kerouac) Rock around the clock * (Bill Haley) and pop art (Andy Warhol) rap, slam * (hip hop) and street arts (tag, graffiti) ...
 |
| | GRIFFITHS Paul | | BÉRARD Sabine | | GONNARD Henri | | ASSELINEAU Michel | | ASSELINEAU Michel | Brief history of modern music
Book | | Live Language Music, Vol. 3
Living language music, n ° 3 | | Modal music in France from Berlioz to Debussy
Music, musicology, n ° 33 | | Arts and Music in History, vol. 5
Arts - music in history, n ° 5 | | Arts and music in history, vol. 4
Arts - music in history, n ° 4 | | IN STOCK24.24 $ | | IN STOCK31.32 $ | | IN STOCK34.80 $ | | IN STOCK52.32 $ | | IN STOCK52.32 $ |
| |
| | Mathilde Aubat-Andrieu, Laurence Bancaud, Aurélie Barbé, H. Breschand | | MUSSAT Marie-Claire | | GOUBAULT Christian | | DONIN Nicolas ed. | | MACHART Renaud | La harpe aux XXe et XXIe siècles : facture, notation, répertoire
| | Trajectories of music in the 20th century
Klincksieck Studies, No. 3 | | Vocabulary of music at the dawn of the twentieth century
Open Music - Vocabulary Series | | A century of reflective writings on musical composition
Music - research, vol. 9 | | La musique minimaliste
| | IN STOCK30.16 $ | | IN STOCK23.20 $ | | IN STOCK22.50 $ | | IN STOCK45.24 $ | | IN STOCK25.52 $ |
| |
| |